This is the best news I've heard in months.
You've probably never heard of Marvelman (Miracleman in the USA) so I understand if you don't share my ecstatic joy.
Marvelman is the best, most wonderful comic you've never read.
In the early 80s, a yet-unknown
Alan Moore took a
1940s rip-off of Superman and reimagined him for the pages of a British anthology comic book called
Warrior. The story spun out into its own comic, called Marvelman, that eventually changed to Miracleman after Marvel Comics voiced some trademark objections.
The very basic premise of Miracleman was "what would someone with the power of Superman
actually be like if he actually existed? How would our world change if a living god walked amongst us?"


Not
so
good
as it turns out
... note the skulls ....
Miracleman is noteworthy for a number of reasons, including but not limited to:

1.) It was the story that really launched Alan Moore's career. Miracleman (and, later, V for Vendetta) brought Moore to the attention of DC Comics.
2.) After Moore finished his run on Miracleman he handed it over to a struggling young writer friend of his, whom no one else had ever heard of, named
Neil Gaiman, launching
his career.
3.) When Neil Gaiman took over, they brought in a promising

new artist named
Mark Buckingham, launching
his career.
4.) Every "what if Superheroes were real?" story owes it's existence to Miracleman. As does every good Superman story. Oh, and both The Watchmen & The Sandman are built off the the foundation laid by Miracleman. Especially the characters Dr. Manhattan and Morpheus.
5.) Issue #15. Jesus Christ.
Miracleman is also noteworthy for never pulling punches or insulting your intelligence. It is simply an amazing piece of literature that would easily sit beside (or, in my opinion, in front of) The Watchmen, Sandman, Maus & The Dark Knight Returns if it weren't for the fact that it has been commercially unavailable for nearly thirty years thanks to an insanely complicated copyright battle.
I won't go into detail about that one. You could read the whole story
here if you'd like, but I would boil it down to "Todd McFarlane is a dick and a hypocrite". Either way, the series has never been reprinted which has resulted what was probably the best work of Alan Moore's career being nothing more than a footnote in comic book history.
So that is what makes the announcement that Marvel Comics now owns the rights to Miracleman so exciting. After nearly thirty years of legal limbo hell, it looks like Neil Gaiman may finally be able to finish his last two story arcs and close out one of the best comics ever written.
Oh, and like I said. Issue #15. Jesus H. Christ....
Best news I've heard in a long, long time.Oh, and if you're interested in a spoiler, hidden below is a damn fine description of Issue #15 from
another blog....
Kid Miracleman
That cover hasn't lost an ounce of its eerie power in 20 years. Miracleman #15 is a lot of things. It's a high point in Alan Moore's career, it's a serious collector's item, and it's one of the most horrifying superhero stories ever published. It's the last chapter in the story of Johnny Bates, a young boy whose mind has been irreperably warped by a secretive government program from which this blog gets its name. Traumatized and living in a group home, Bates manages to suppress his murderous and psychotic alternate personality, Kid Miracleman—until a sexual assault by a gang of bullies wrenches him free. What follows is one of the most nightmarishly graphic superhuman killing sprees to ever grace the pages of a comic book, an orgy of bloodshed and terror that forces Miracleman and his allies to intervene, using any means necessary. Miracleman #15 poses the supreme question for superheroes: when is it okay to kill? The answer is never, but sometimes it's the only way out. For Miracleman, that's the beginning of a very slippery slope. And when Miracleman does put the Kid down like a rabid dog, the comic pulls no punches: he doesn't just kill a super-sociopath—he also kills a scared, broken little boy named Johnny Bates.
(NOTE: Wonder Woman snapping Maxwell Lord's neck in Infinite Crisis is essentially a scaled-down version of this story, not least because Max Lord is to Kid Miracleman as the Hamburgler is to Adolf Hitler. And a post spotlighting Moore's run on Miracleman is definitely forthcoming.)
Labels: Alan Moore, Jesus, nerdgasm, violence